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超清云播2[莱奥诺拉的告别](报错)

快播云播[莱奥诺拉的告别](报错)

快播云播[莱奥诺拉的告别](报错)

《莱奥诺拉的告别》剧情介绍

法比齐奥·费拉卡尼 马泰奥·皮蒂鲁蒂 Dania Marino 多拉·贝克尔 娜塔丽·拉布蒂·戈麦斯 克劳迪奥·比加利 罗贝托·埃利茨卡 Robert Steiner Luca Ghillino Simone Ciampi Biagio Barone Giuseppe Lo Piccolo Federico Tocci Jessica Piccolo Valerani Giuseppe Spata Giulio Pampiglione等主演的《莱奥诺拉的告别》是一部剧情片。  Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.

《莱奥诺拉的告别》精彩影评

游客2022-06-18
不了解背景看的一知半解,只感受到了一股乡愁,借着一场盛大却不被人理解的告别诉说意大利近代变迁,过程的艰辛和终点的唏嘘让人看到伟大和回忆终会被埋葬。影像质感和配乐真棒


游客2022-06-18
以皮兰德娄的身后骨灰为始发点,巨大的争议与巨大的荣耀都曾聚焦于这位作家身上,回溯那“恐怖、野蛮、挣扎的十年”,藉由魂归大海而达成漫长的告别;未完成的告别则不仅是皮兰德娄遗作——《钉子》化为影片第二部分,更是“To my brother”——保罗·塔维亚尼对哥哥的纪念,两部分的捏合通过一位作家和黑白/彩色的切换达到转承。


游客2022-06-18
  Three years after the loss of his brother Vittorio with whom he shared his entire career Paolo Taviani returns to the works of Luigi Pirandello which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision the film is not at all what it appears to be. The title may come from a 1910 novella but there is no trace of that book’s...


游客2022-06-18
很难不被作者的赤诚所打动,是弟弟与哥哥的漫长告别,曾经的双头导演 现在仅剩一位,叫人唏嘘。黑白部分优于彩色部分,火车段落尤为好,但还是没法忽视转彩色之后的些许断裂感…


游客2022-06-18
像在观赏记忆中的倒影,风起时漾开波纹,竟是孩童恶作剧般的搅动。光线如刻刀雕出几抹剪影,随即展开变调,肃穆的葬礼需要一把瓜子花生,歌剧拉开帷幕,滑稽剧热闹散场。